Chew's Reviews - BLACKkKLANSMAN



By Gary Chew | August 10, 2018 |  


After seeing several of Spike Lee's films, I've come to know just what a decent man he is. Yet, I also know that … using one of my favorite go-to-phrases … Mr. Lee “don't take NO prisoners.” In spades, if you'll excuse the expression, Spike … true to form … takes none in BLACKkKLANSMAN. In fact, racial slurs fly in Lee's new picture more profusely than bullets in any 21st-century blockbuster that might star Dwayne Johnson or Mark Wahlberg. The Lee film opens on the first anniversary of the Charlottesville, VA white supremacist rally at which a counter-demonstrator was run over and killed with a car driven by a member of the alt-right.

What immediately struck me was how fiction-like BLACKkKLANSMAN's script moves out, even if most of what you'll see in it is about actual events of the 70s ... and how ominously similar they are to what's going on in America as I write this and we don't have Barack Obama to “kick around” anymore.

Denzil Washington's son, John David Washington, plays a wannabe cop named Ron Stallworth. Ron wants to join the Colorado Springs, CO police force. Ron shows all the makings of being a really good cop and is ultimately hired, then assigned plainclothes duty with an incredible first mission; shadowing the local Colorado Springs Klu Klux Klan.

In tow with Ron is another real guy cop, Flip Zimmerman (Adam Driver). Flip fronts as the white-guy but Jewish bodily substitute to fool the Kluxers since Ron is a very black man with Afro, already. Ron does the on-phone chatting with the white supremacists “gentlemen.” The irony of this set up is almost too much to swallow as being real, but according to all accounts, that's how the crazy caper comes off.

Important side bars are the film's use of that memorable wide shot of Vivien Leigh stepping over dead and wounded Confederate soldiers in GONE WITH THE WIND. Spike then puts up, in black and white, America's greatest Trump impersonator, Alec Baldwin.  Alec is more than stern doing a man known as Dr. Kennebrew Beauregard who's shown doing a right wing public service TV spot to warn viewers against the surging hordes of dark-skinned people intruding on the USA. “Creepy,” another of my favorite English language words, would be the only way to define the Baldwin cameo. The great Harry Belafonte, in cameo, plays Jerome Turner recalling an horrific event about earlier racial strife in the U-S.   In the final act, those blurry frames created in 1915 by the iconic D. W. Griffith for his THE BIRTH OF A NATION demand the Klan ought to be held in high esteem. Happily, the truth was told about the Klan in the 2016 remake of THE BIRTH OF A NATION.  I reviewed it.  Here's the link …... http://www.elkgrovenews.net/2016/10/chews-reviews-birth-of-nation.html


Best known for his part in the TV series THAT 70s SHOW, Topher Grace has the sweet role in Spike's flick. Topher does white supremacist and KKK klunker, David Duke, who was all in for, and on hand at the Charlottesville showdown a year ago. Duke is also a strong supporter of Donald Trump, in case you've not yet heard that “non-fake fact.” Topher appears to be just about perfect doing Duke.



Near the film's open, there's a scene in which actor Corey Hawkins does a cameo of Kwame Ture … aka Stokley Carmichael. Many of his lines are quotes from the speech Carmichael gave one night back in the day in Colorado Springs. All of his words you hear seem to be about what's happening now in the United States of America.  

Bravo, Spike … bravo! Somebody's gotta do it!
                                                                                                               
Copyright © 2018 by Gary Chew. All rights reserved.






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