Chew's Reviews - 'The Counselor'
By Gary Chew | October 25, 2013 | The best-selling novelist Cormac McCarthy has never been known to take any prisoners in an...
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By Gary
Chew | October 25, 2013 |
The
best-selling novelist Cormac McCarthy has never been known
to take any prisoners
in anything he's written whether his characters are on the
page or movie screen.
He takes none in his latest piece – a screenplay titled “The
Counselor.”
Cutting to
the chase, there's a scene late in the picture that has
Michael Fassbender on
the phone with a Latino
gentlemen played by
Reuben Blades. Perk up your ears to what Blades' character
advises Fassbender's.
In poetic terms, Blades recites McCarthy's lines about how
the world can
drastically change when a person makes the decision to gain
great wealth by
taking great risk that's partially motivated because of the
risk taker's love
for a beautiful woman.
Fassbender
is the counselor, a successful lawyer deeply involved with
Laura (Penelope
Cruz). Laura may be the only innocent character in the
script. The couple is in
love and soon to be married after the counselor buys Laura a
beautiful diamond
ring.
At the
about the same time, the counselor hero consummates his
first drug smuggling
deal with a wealthy trafficker called Reiner (Javier
Bardem). Reiner's opulent
lifestyle is considerably more pronounced than the
successful counselor's. The
deal requires transport of millions of dollars worth
of an illegal substance out of Mexico
to
Chicago.
Reiner's female companion is Malkina
(Cameron Diaz).
Although Reiner is a clever, successful fellow, he seems to be in awe of the matured
beauty, acumen and
unadulterated organizational skill that Malkina displays. In
quite a juicy part
for Diaz, two scenes of hers may turn out memorable. The
first shows Diaz in a
Catholic confessional attempting to give her own kind of
confession to a
flabbergasted priest. The other scene is difficult to write
about due to its
content but if you see the movie, you'll know what it is. It
will likely be more
memorable than the confessional scene.
Prior to
the counselor's decision to jump into “deeper water,” he's
advised by another
well-off man who knows what can go down when one starts
playing on turf that's
also traveled by the Mexican drug cartel. If a name for such
a game were ever
given, it could easily be dubbed, “No Prisoners Taken, Old
Or Young.”
Westray
(Brad Pitt) is the cocky, uptown cowboy who talks in a
cautionary manner to the
counselor about whether or not to go on with the deal. Much
like Reiner, Westray
also has a strong taste for sexy women while doing his shady
business. Westray
looks less successful than Reiner, but that doesn't mean he
is.
Consequences for the
counselor's moving forward
on the big deal prove to be as fateful – let's say – as
Westray predicts they
might be. The consequences ring with dreadful
irony.
Ridley
“Black Hawk Down” Scott is the director. That says a lot.
And his backup cast
allows for neat surprises. Dean Norris, Hank the DEA
agent/brother-in-law in
“Breaking Bad,” appears as the buyer for the big drug haul
up to Lake Michigan
where he has brief back and forth with an uncredited John
Leguizamo. Rosie Perez
has a cameo role as an imprisoned mother who's an old client
of the counselor's.
Her son's in trouble on the outside, and she asks the
counselor for help. Bruno
Ganz does an early scene with the counselor as a European
diamond expert who has
just the right, expensive stone for Laura's lovely left
hand.
“The
Counselor” is
told with little informational detail, as was “No Country
For Old Men.” McCarthy
expects you to do your own work apprehending the tale. Stark
differences are
portrayed between the affluent and the needy. At times,
characters talk to each
other in a sort of metaphor about what they're doing and
what's going on. Then
there are moments when what they're discussing is mixed with
amusing and
intimate minutiae that allows for minor comic releases in a
film that has no
intention to merely amuse when clearly McCarthy wants the
pure innocents of the
world to know that there is darkness, and once choosing to
be in it, there's no
escape. It's one of the best and smartest movies I've seen
so far this year.
Copyright ©
2013 by Gary Chew. All rights reserved.
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